New French Extremity #2

August 20, 2008

Talking about the kiss, the beautiful kiss that begins Trouble Every Day, the kiss a precursor to the animalistic bites, fleshy excesses of the body, and visceral ebbing of blood that follows later, Denis says:

“That’s not where it was in the screenplay – that kiss – it was elsewhere, during a nocturnal ramble by Vincent Gallo, which incidentally wasn’t filmed. But I still wanted to shoot the kiss because the kiss is the film. In the screenplay, the first scene is the scene in the plane. Stuart of the Tindersticks wanted to write a song, but not for the beginning of the film. And when I heard his song, I said to him: “Stuart, I think it should be at the beginning, you can’t put it in after.” And so we can’t begin with the plane, everything has to be pushed back for Stuart’s song.

In fact, I think Stuart channelled everything into the song: he had not seen the rushes, but he had read the screenplay, he had come to London to see Beau Travail (2000), at the time of a retrospective of my films…I think he had understood that I was ready for a lot of things. And he brought me this song. Stuart is an English man with a lot more humour than I have, but he has a rapport with the body, with flesh, with desire which is very close to mine.”

[edit: incidentally, the song is available online.]


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